Musical narratives in The Last Emperor: The power of leitmotifs and traditional Chinese instruments in storytelling

Authors : Fu Yu, Soo Hwan Ahn

Pages : 177-199

Doi:10.12975/rastmd.20251325

View : 98 | Download : 246

Publication Date : 2025-06-30

Article Type : Research Paper

Abstract :This study explores music’s narrative and emotional functions in The Last Emperor (1987), focusing on the strategic use of leitmotifs and traditional Chinese instruments. Rather than serving as a mere atmospheric accompaniment, music in the film functions as an active narrative force that shapes character development, emotional resonance, and cultural perception. Through a qualitative, interpretive framework, the research examines how recurring musical themes—leitmotifs—are dynamically altered in instrumentation, tempo, and harmony to reflect the protagonist Puyi’s psychological evolution. These motifs serve as structural and emotional anchors, guiding the audience through the film’s shifting narrative and thematic contours. Moreover, the study investigates the role of traditional Chinese instruments, particularly the erhu and konghou, in reinforcing cultural identity and emotional nuance. Their expressive timbres and integration into the Western orchestral fabric provide historical authenticity and a cross-cultural soundscape that bridges Eastern and Western musical traditions. Drawing on music semiotics and film music theory, the study employs thematic analysis, timbral examination, and audiovisual synchronization to understand how these musical elements contribute to a multisensory cinematic experience. The findings suggest that leitmotifs in The Last Emperor are not static musical tags but dynamic narrative agents that evolve alongside the characters’ emotional and cultural transformations. Traditional Chinese instruments, when merged with Western orchestration, act as cultural bridges and emotional amplifiers that heighten both historical context and viewer empathy. Together, these musical strategies construct a layered narrative experience that deepens the audience’s engagement intellectually, culturally, and emotionally. This study contributes to the discourse on cross-cultural film scoring, demonstrating music’s capacity to construct meaning, evoke emotion, and convey cultural identity in visually rich and sonically immersive narratives.
Keywords : cross-cultural scoring, emotional resonance, film music narrative, leitmotif, traditional Chinese instruments

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