Silent Representation of Kurdish Identity in Cinema through "Sarmaşık (Ivy)"

Authors : Şenay Tanrıvermiş

Pages : 70-78

Doi:10.21600/ijoks.632527

View : 354 | Download : 1770

Publication Date : 2020-01-25

Article Type : Research Paper

Abstract :All this – all the meanness and agony without end I sitting look out upon See, hear and am silent. Walt Whitman, ‘I Sit and Look’ (Genius, 2018) .   Kurdish people constitute a significant part of the Turkish society for ages with some cultural and linguistic differences. This article focuses on the symbolic representation of Kurds in Turkish cinema through a close reading of the movie Sarmaşık (Ivy) in order to reveal how and at what limits the movie touches upon different forms of verbal and sound control imposed over them. Mainstream media portrays Kurds speaking Turkish with a heavy and funny accent. This tradition has changed by independent movies and at least they become visible in different types of silence. As a movie, one of the themes Sarmaşık discusses is the silence of Kurds and the role of discrimination process again by using and recreating the concrete silence. On the other hand this movie reveals how this silence provoke anxiety of majority towards minority identities, especially towards Kurds in last decades. The movie also stimulates a very important reality that losing a useful and functional part of a society is a severe lost that most people are not even aware of, and that they notice it in fear and with sorrow only after losing it.
Keywords : Kurdish identity, Kurdish silence, Turkish cinema, Kurdish cinema

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