IAD Index of Academic Documents
  • Home Page
  • About
    • About Izmir Academy Association
    • About IAD Index
    • IAD Team
    • IAD Logos and Links
    • Policies
    • Contact
  • Submit A Journal
  • Submit A Conference
  • Submit Paper/Book
    • Submit a Preprint
    • Submit a Book
  • Contact
  • Medya ve Din Araştırmaları Dergisi
  • Volume:7 Issue:2
  • Occult African Films as a Reflection of Resurrection Stories: A Socio-Cultural Perspective on Camero...

Occult African Films as a Reflection of Resurrection Stories: A Socio-Cultural Perspective on Cameroonian and Nigerian Video Films

Authors : Floribert Patrick C Endong
Pages : 83-99
Doi:10.47951/mediad.1570844
View : 81 | Download : 71
Publication Date : 2024-12-31
Article Type : Research Paper
Abstract :The African religious landscape is partly characterized by a plurality of vibrant neo-Pentecostal and charismatic movements. Many of these movements are founded, led or influenced by perceived gifted individuals who claim to have had a firsthand experience with the spirit world through diverse mystical or paranormal means. Some of these means include near death experiences or resurrection from the dead. Although some research works have examined the relationship between the narratives of these gifted individuals and the socio-political discourse in Africa, very little attention has been devoted particularly to how their descriptions of the spirit world and the afterlife affect or reflect cinematic production in Africa. This paper seeks to fill this gap in knowledge through an examination of the ways in which resurrection and near death stories driving charismatic Pentecostalism are reflected in some Cameroonian and Nigerian video films. Using secondary sources and a qualitative content analysis of relevant films, the paper specifically attains two main objectives. In the first place, it examines how Cameroonian and Nigerian resurrection stories describe the spirit world and affect the popular culture in Cameroon and Nigeria; while in the last place, the paper examines how these stories are particularly reflected in Cameroonian and Nigerian films.
Keywords : Ruhani Dünya, Afrika İnanç Sistemi, Spiritüalizm, Nollywood, Collywood, Sinematik Kod, Okült Filmler

ORIGINAL ARTICLE URL
VIEW PAPER (PDF)

* There may have been changes in the journal, article,conference, book, preprint etc. informations. Therefore, it would be appropriate to follow the information on the official page of the source. The information here is shared for informational purposes. IAD is not responsible for incorrect or missing information.


Index of Academic Documents
İzmir Academy Association
CopyRight © 2023-2025