“Revenge is never a straight Line:” Whitewashing Blackness, Blaxploitation and the Development of White Imagery in Tarantino’s Django Unchained

Beatrice Melodia Festa
Publication date : 2024-12-24

The Fallen Adams: An Intertextual Analysis on Frankenstein and Yaratılan

Senem Üstün Kaya
Publication date : 2024-12-24

Terence in England: Literary Narcissism, Self-Reflexivity, and Metatheatrical Comedy in The Parnassus Plays

Selena Özbaş
Publication date : 2024-12-24

Adaptation and Deconstruction: Emma Rice’s (2022) Adaptation of Wuthering Heights

Mesut Günenç
Publication date : 2024-12-24

A Milestone in the History of Turkish Pop Music: Zeki Müren and Song Translation (1964)

Alaz Pesen
Publication date : 2024-12-24

“When in Music We Have Spent an Hour”: Choreographer John Cranko’s Recontextualization of The Taming of the Shrew as a Ballet

Fatma Zeynep Bilge, Sungu Okan
Publication date : 2024-12-24

The Ecomaterialist Appropriation of the Shakespearean Stage: Tracing the Entangled Worlds in Rupert Goold’s The Tempest (2006)

Işıl Şahin Gülter
Publication date : 2024-12-24

“What is Hecuba to [me]?”: The Impossibility of Catharsis and Rupture of Representation in Marina Carr’s Hecuba

Ayşen Demir Kılıç
Publication date : 2024-12-24

The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age

Benjamin Poore
Publication date : 2024-12-24

Nostalgic Austenmania: Transcoding Pride and Prejudice

Ela İpek Gündüz
Publication date : 2024-12-24

Adaptation, Appropriation and Translation - Dancing cheek to cheek, or leading on a merry dance: Understanding textual adaptation as a dynamic between dancers

Catherine Rees
Publication date : 2024-12-24