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  • Korkut Ata Türkiyat Araştırmaları Dergisi
  • Issue:14
  • Unveiling Gender Dynamics: A Critical Analysis of Iranian Cinema

Unveiling Gender Dynamics: A Critical Analysis of Iranian Cinema

Authors : Pune Karımı
Pages : 1489-1504
Doi:10.51531/korkutataturkiyat.1429290
View : 110 | Download : 157
Publication Date : 2024-02-29
Article Type : Research Paper
Abstract :The main purpose of this research is to examine the portrayal of gender in Iranian cinema and the subsequent effects on today ‘society, gender dynamics, and individual identity as a result of those impacts. The historical foundation of Iranian cinema, the key films in the industry, and the impact that political and cultural forces have played are all extensively discussed throughout study. Moreover, the paper delves into the portrayal of men and women in Iranian cinema, as well as the impact of the media on the formation of cultural standards and gender identities. It also analyzes the loosening of traditional gender standards, while calling attention to the predominance of destructive female characters in contemporary Iranian cinema and emphasizing the significance of sensitive male characters in that cinema. Furthermore, the study looks at how family connections are shown in Iranian films across time, as well as the delicate interplay of distinct sex, gender, and cultural features. As a result, women in Iranian cinema take on more prominent roles, but gender equality remains a challenge, and women continue to create meaningful films that resonate with audiences. The representation of masculinity in Iranian cinema is complex and varied, reflecting changing social and cultural norms in Iranian society. It is portrayed as heroic and honorable in some films, but violent and aggressive in others. This sparks a discussion about cinema’s role in shaping social norms and values, as well as the need for more diverse and nuanced portrayals of masculinity.
Keywords : Gender, sex, Iranian cinema, femininity, masculinity

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