Analyzing The Images Of Perception, Action And Emotion İn The Context Of Art And Philosophy Through The Main Character Of Ezel Tv Series

Authors : Serhat Toptaş

Pages : 210-226

View : 56 | Download : 63

Publication Date : 2024-09-20

Article Type : Research Paper

Abstract :Objects in narratives do not have a single purpose. They can also influence the purpose of the scene or the purpose of the character in the scene. The measure of the value of anything can decrease or increase according to the wishes, desires and interests of a living image (character). These are revealed through images. Individual images are the smallest component of visual content, which is the carrier of sensory information, aesthetic knowledge. The artistic image, on the other hand, “By its very nature, the artistic image necessarily includes an emotional component, the deepening of thought is given here in clots of emotion; the images of art are directed directly at human sensibility and therefore always evoke an enthusiastic response” (Ziss, 2009:12). The concept of the movement-image does not include the events that individuals experience in their daily lives, but instead prompts us to consider what the effect of movement is. The human mind does not only construct a causal plot; the character\'s mind can move back and forth in time momentarily. The first step is through the process of perception. In this case, stimuli react as a result of perception. The individual interacts with his/her past experiences and the objects in his/her possession according to the situation he/she finds himself/herself in. The mind organizes what it perceives by thinking all of these together. After the perception process, a new way out for action can be tried to be created by establishing a new relationship between the living image (character), objects. In this case, perception changes the images of action and affect, and as a result a new universe dimension opens up in the mind of the individual. A connection is formed in between the character and the object, and the formation varies in “near, middle and far dimensions”. Instead of being concrete, these connections are completely abstract representations. The key point in the realization of these phases is the formation of “perception” as a result of the living image not accepting the moving-fixed images as they are, but finding the deficiencies. In other words, when the living image becomes receptive, the stages of “perception”, “action” and “affect” are realized. Philosophical criticism means analyzing/explaining the values that humanity has created since the beginning and the phenomena that take place today with these values, and trying to understand the reflections of works of art by criticizing them. Since the basis of philosophical criticism is human beings, it may not be possible to make a healthy criticism without verbal, non-verbal discourses or visual expressions that convey human feelings and emotions. When analyzing a work of art, the method of philosophical criticism looks at the purpose of the message that gives meaning to the work and examines the effect of the animate or inanimate object that adds value to the work. The aim of the study is to examine how the character\'s stages before taking action develop according to the perception, action and affect images under the subheadings of the movement-image approach. The population of the study includes all TV series broadcast on television in Turkey. Ezel series was chosen as the sample because it was the most watched series of the period and the main character was given in the first episode with a double personality. Purposive sampling method was used for the study. Another point that distinguishes the narrative from other types of series narratives is that the main character, who interacts with visual images, always returns to the past and tells how the story of the object he interacts with develops. As the character\'s stages of change were presented in the first episode, behavioral changes also took place. The character\'s change and interaction with the objects created a new intermediate story (scene) based on the past in the series. In this study, the three main stages (drama, action, crime) affected by these objects were identified and analyzed. In the findings and results of the study, it was concluded that the character waits in an interval to establish a relationship between the object and the event, that the character a creates the action from a new center according to the result of the interval, and that every action has a starting point.
Keywords : İmge, Algı, Eylem, Duygulanım, Hareket İmge