IAD Index of Academic Documents
  • Home Page
  • About
    • About Izmir Academy Association
    • About IAD Index
    • IAD Team
    • IAD Logos and Links
    • Policies
    • Contact
  • Submit A Journal
  • Submit A Conference
  • Submit Paper/Book
    • Submit a Preprint
    • Submit a Book
  • Contact
  • Journal of Mosaic Research
  • Issue:12
  • The Gold in the Mosaics of Ravenna

The Gold in the Mosaics of Ravenna

Authors : Cetty MUSCOLINO
Pages : 119-132
Doi:10.26658/jmr.614880
View : 16 | Download : 14
Publication Date : 2019-11-30
Article Type : Research Paper
Abstract :Ravenna, early Christian monuments and wall mosaics express the new ideology of Christian art. The tessellatum reveal that a large variety of materials and colours were used for the execution of the mosaics: glass, glass paste tesserae including those with silver and gold leaf, stone, ceramic, marble, and mother-ofpearl. The beautiful materials are combined with skill and surprising chromatic sensitivity. The tesserae are cut in regular and consistent sizes for the base and others shaped ad hoc as if they were brushstrokes of glass. From the first monuments insert ignore into journalissuearticles values(Mausoleum of Galla Placidia, Battistero Neoniano); to the second insert ignore into journalissuearticles values(Battistero Ariano, Sant’Apollinare Nuovo, San Vitale); we can see a change significative and interesting, from the nature represented in all her splendor and naturalism, insert ignore into journalissuearticles values(acanthus plants, floral candelabras, gardens of plants and flowers, viridarium, insert ignore into journalissuearticles values(herbs garden);, we step by step leave the azure and the blue of the sky to pass to mosaics with golden background. Because the tesserae in gold are the best way, in this period, to show the light of the transcendence, and to show the glory of Christ, the power of the church, and in the monuments of Ravenna we have the most important evidence. In many mosaic representations we can see with great clearness the polemical spirit of anti-Arianism, and a clear affirmation of Catholic Orthodoxy in the town where the Aryan Teodorico, had reigned for thirty years. Many monuments of the V-VI century in Orient were destroyed in the ancient time for ideological and political reasons for this reason Ravenna is a privileged place to follow the changes ideological and stylistic.
Keywords : Gold, light, early Christian monuments, wall mosaic, God

ORIGINAL ARTICLE URL
VIEW PAPER (PDF)

* There may have been changes in the journal, article,conference, book, preprint etc. informations. Therefore, it would be appropriate to follow the information on the official page of the source. The information here is shared for informational purposes. IAD is not responsible for incorrect or missing information.


Index of Academic Documents
İzmir Academy Association
CopyRight © 2023-2025