Fahrenheit 451: Herbert Marcuse’s Aggressive and One-Dimensional Society

Authors : Cengiz Karagöz, Sedat Bay

Pages : 71-82

Doi:10.30767/diledeara.1588719

View : 36 | Download : 27

Publication Date : 2025-10-21

Article Type : Research Paper

Abstract :Ray Bradbury\\\'s Fahrenheit 451 offers a scathing critique of a dystopian society that suppresses individuality and outlaws books. The novel follows the transformation of the protagonist, Guy Montag, from a conformist firefighter to a rebellious intellectual, influenced by the enigmatic Clarisse McClellan and the erudite Faber. Through this narrative, Bradbury delves into profound themes of technology, alienation, and societal control, highlighting the erosion of critical thinking and individual freedom. Herbert Marcuse\\\'s theories on industrial society provide a compelling framework for analysing Bradbury\\\'s dystopian vision. Marcuse\\\'s concept of the \\\"one-dimensional man\\\" resonates with the novel\\\'s portrayal of individuals stripped of their individuality and critical thinking by a technologically driven society. This society imposes \\\"false needs,\\\" promoting consumerism and conformity. Mildred, Montag\\\'s wife, exemplifies this concept through her obsession with virtual entertainment, which alienates her from meaningful human connection. The novel further critiques the role of mass media in suppressing critical thought, a key theme shared with Marcuse\\\'s work. Clarisse\\\'s insights highlight the stifling effects of media on individuality and dialogue. Additionally, Bradbury explores the destructive potential of technological advancements, aligning with Marcuse\\\'s assertion that overdeveloped technology desensitizes individuals to violence. The commodification of leisure, as depicted in the novel, further erodes individuality and fosters a culture of conformity.
Keywords : Ray Bradbury, Herbert Marcuse, tek boyutlu insan, agresiflik, modern endüstri toplumu

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