IAD Index of Academic Documents
  • Home Page
  • About
    • About Izmir Academy Association
    • About IAD Index
    • IAD Team
    • IAD Logos and Links
    • Policies
    • Contact
  • Submit A Journal
  • Submit A Conference
  • Submit Paper/Book
    • Submit a Preprint
    • Submit a Book
  • Contact
  • Osmanlı Araştırmaları
  • Issue:57
  • The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth...

The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth-Century Istanbul,

Authors : Melis TANER
Pages : 370-377
Doi:10.18589/oa.959791
View : 14 | Download : 14
Publication Date : 2021-06-30
Article Type : Other Papers
Abstract :In The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth-Century Istanbul Fetvacı makes available a dazzling album––the album of Ahmed I insert ignore into journalissuearticles values(Topkapı Palace Museum Library, B. 408);––to a broad audience, and provides a first comprehensive study of this work. Compiled by the courtier Kalender Paşa insert ignore into journalissuearticles values(d. 1616);, this album is a striking gathering of a variety of materials, including calligraphy, painting and print, joined together artfully by the handiwork of Kalender himself. This album is remarkable in many ways. Diverse samples of painting, print, and calligraphy are put together through the fine paper joinery skills of Kalender Paşa, for which he was well-known. The compiler has also composed a seven-page preface in which he discusses the edifi- catory and sensorial aspects of the album. The Album of Ahmed I, while making references to older albums in the palace library, also diverges from these and the unified visual idiom to include variety––both non-Ottoman and non-courtly works find their place in the Album of Ahmed I. So aptly formulated by Fetvacı, this has broader implications for the study of albums as well as for the study of Ottoman art. At a point when the Ottoman, Safavid, and Mughal dynasties were each using art, architecture, and ceremonial to craft their distinct imperial iden- tities, the Album of Ahmed I, remarkable for its eclecticism––an element that thus far deterred scholars to tackle this work fully––, speaks to the connectedness of this early modern world, while at the same time also relating to new ways of experiencing art and to new consumers of art.
Keywords : The, Album, of, the, World, Emperor

ORIGINAL ARTICLE URL
VIEW PAPER (PDF)

* There may have been changes in the journal, article,conference, book, preprint etc. informations. Therefore, it would be appropriate to follow the information on the official page of the source. The information here is shared for informational purposes. IAD is not responsible for incorrect or missing information.


Index of Academic Documents
İzmir Academy Association
CopyRight © 2023-2025