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  • Ege Üniversitesi Devlet Türk Musikisi Konservatuvarı Dergisi
  • Issue:8
  • TÜRKİYE’DE SOLO VOKAL İCRACILIĞIN ADLANDIRMA / İFADE FARKLILIĞINDA YATAN TEMEL DİNAMİKLER

TÜRKİYE’DE SOLO VOKAL İCRACILIĞIN ADLANDIRMA / İFADE FARKLILIĞINDA YATAN TEMEL DİNAMİKLER

Authors : Fatih COŞKUN
Pages : 27-34
View : 16 | Download : 9
Publication Date : 2016-08-25
Article Type : Research Paper
Abstract :In Turkey, people who singing is to be called in two different ways as "vocal artist” and "singer". Similar naming differences as "music instrument artist" and "player" is valid for the instrument to be played. The purpose of this article, the musicians are similar in terms of music acts, why it is called in Turkey in a different way and this appellation is to understand what the basic dynamics are. Working on behalf of the discipline is to fit a frame and to make a systematic analysis, the ethnographic data required for the post, Ege University Turkish Music State Conservatory at the Department of Vocal Education consists of eight lecturer and nineteen students were from my interviews with a limited focus group interviews. Articles in observation and interview methods are used, the data obtained by these methods was assessed in a conceptual framework.
Keywords : Key Words Musician, Singer, Artist, Elitism, Legitimacy, Identity

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