Constructing the Post-truth in the Middle English Romance

Authors : Hülya Taflı Düzgün, Tolga Duvar

Pages : 17-29

Doi:10.65083/asbider.1613859

View : 76 | Download : 106

Publication Date : 2026-01-31

Article Type : Research Paper

Abstract :The concept of post-truth extends deep into history, transcending the boundaries of time and place, and is a defining characteristic of our modern age. The digital age is often associated with post-truth because it fosters an atmosphere where the abundant dissemination of information and the flexibility of truth take precedence over objective accuracy, driven by emotional appeals and ideology. However, the roots of post-truth seem to lie deeper and possess a complex narrative that has spanned centuries. This article examines medieval English romance, notably Richard Coeur de Lion, through the lens of post-truth. Experts have long studied how chivalry, noble love, and heroism are depicted in medieval English romances. These literary narratives intricately blend themes, symbols, and characters to illuminate the complex interactions between Christians and Muslims during the Middle Ages. However, these representations, especially those related to Islam and Muslims, are often overlooked from a realistic perspective. The depiction of Saracens is not just a narrative choice but also a reflection of the cultural and historical context that forms the foundation of medieval English romances. This article examines how Islam and Muslims are represented in the medieval English romance Richard Coeur de Lion, particularly in the context of post-truth dynamics regarding Saracens. This medieval romance depicts a society that strategically manipulates the truth for political and ideological reasons. Richard Coeur de Lion deliberately distorts historical and theological truths to evoke emotional responses, strengthen Christian faith, and position the Saracen as the inherent other. This study uncovers medieval examples of post-truth strategies by examining the adaptable structure of the romance and its narrative style that prioritizes emotional responses over facts. This article discusses how the moral guidance of medieval narratives, such as those featuring Richard Coeur de Lion, influences perceptions of reality by deliberately incorporating distortions and how it affects the representation of Saracens within the context of the Crusades.
Keywords : Orta Çağ, Gerçek Ötesi, Romans, Richard Coeur de Lion, Sarazen

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